ARÐ reveal animated clip of title track from debut album "Take Up My Bones"
Metal Hammer is officially premiering the title track from ARÐ's debut album "Take Up My Bones" as the last single before the full-length hits the streets on February 18. The Northumbrian doom act presents an animated clip based on the album's great artwork by Gabriel Danilchik. All details of ARÐ's first full-length can be viewed below.
The animated clip for 'Take Up My Bones' depicts the funeral of the Anglo-Saxon saint Cuthbert, whose relics were soon to embark on a journey lasting for decades that inspired the album's concept is now released via the link below:
Pre-sale link: http://lnk.spkr.media/ard-take-up-my-bones
ARÐ band pictures and graphic materials are available at this link: (click here for Dropbbox)
ARÐ comment: "My musical ideas are always what come first", tells musical and lyrical mastermind Mark Deeks. "I find the writing of lyrics sometimes challenging, and I always find it easier, if I have a story that I want to tell. I am fascinated by music that in some way represents where it's from. I therefore wanted the ARÐ album to tell a tale from the old kingdom of Northumbria that existed in the place that I call home. When researching the idea of using the story of what happened to St. Cuthbert's remains, I found that he allegedly gave quite specific instructions regarding what to do to his followers before his actual death. This was such a doom concept to me that it proved impossible to resist. Cuthbert is supposed to have said: 'I would rather that you should take up my bones and leave these places'. I loved the idea that his followers felt they were being blessed to protect his bones, but were actually being doomed to many years of trudging around the kingdom, while the legends and myths of the miraculous powers of the saint's relics continued to grow over time. This set the tone for the whole album."
Tracklist
1. Burden Foretold (6:54)
2. Take Up My Bones (6:19)
3. Raise then the Incorrupt Body (9:01)
4. Boughs of Trees (5:56)
5. Banner of the Saint (6:10)
6. Only Three Shall Know (9:09)
ARÐ are of Northumbria. The band’s name is taken from an Old English word meaning "native land” in the dialect of the Anglian Kingdom of Northumbria. The concept behind the debut album „Take Up My Bones“ from this insular doom metal project revolves around the legendary relics of the famous Northumbrian saint Cuthbert (634–687) and their long journey.
The theme that has inspired mastermind Mark Deeks would easily fit into the black metal mould were it not for the holy man. This particularly harsh style has a long history in the wake of BATHORY’s pioneering works of being deeply rooted in the native traditions of their homelands. Countless Norwegian, Icelandic, and Swedish bands referring to the myths, sagas, and history of the Viking age offer a strong case in point.
Yet ARÐ transfer this artistic quest for heritage and identity upon a solid doom foundation, which in itself constitutes a new approach. And while the topics of prophecy, funeral, and hermitage related to St. Cuthbert are quite suitable for the doom genre, which often deals with death, melancholy, and sorrow, the soul-search through history and time on "Take Up My Bones" reaches far deeper than mere gothic ornamentation.
While the early medieval histories of Europe's Scandinavian North and neighbouring Scotland have been rediscovered, glorified, and blended with nationalistic politics during and following the 19th century romantic movement, Northumbria’s past has received surprisingly little attention – despite this beautiful land between two seas having been a flowering cultural focal point for centuries; with vectors of influence incoming and outgoing from and to all over Europe and beyond.
The early medieval Anglo-Saxon kingdom of Northumbria that inspired ARÐ was far larger than the historic English county Northumberland implies. After the dynastic fusion of the older kingdoms of Deira and Mercia in the early seventh century, Northumbria reached at its greatest expansion in the east from the River Humber, from which it took its name ("North of the Humber") and the river Mersey in the west of what is now Northern England. Its northern territories included the southern half of Galloway and reached westwards to the southern shore of the Firth of Forth above Edinburgh, which later in medieval times became part of the kingdom of Scotland.
Before the Germanic warriors arrived, at first as a part of the Roman armies and later as conquerors, the Romans had subjugated the local population of Brittonic Votadini, speakers of a Celtic language. Rome's legions brought units from across the empire as far away as archers from Syria to what is now the north of England. The name of the Votadini resounds in the Old Welsh poem "Y Gododdin", which describes a battle between the Britons and the Saxon invaders of these lands that the latter named Northumbria. This epic poem might contain the earliest reference to a pseudo-historic character whom the Normans centuries later called King Arthur in the lines: "He fed black ravens on the rampart of a fortress – Though he was no Arthur".
Yet the Romans had left another legacy that firmly took root in neighbouring Ireland and soon began to affect the new Germanic rulers of these northern lands as well as ultimately inspiring the tale of "Take Up My Bones": Christianity. The early medieval coastal monasteries of Whithorn in the west and Lindisfarne to the east bear witness to this transition. It is in Lindisfarne on Holy Island in the time after the devastating Viking attack from across the sea in the year 793 where the story of the remains of St. Cuthbert begins: a 200-year journey that saw the saint's remains finally reburied in the cathedral of Durham. The legends and mystery of the translation of the saint's relics such as the refusal of his coffin to be moved or the lack of corruption upon his corpse after decades shape the core of this conceptual musical tale.
With crushing glacial-paced doom, monastic sounding chants and choirs, and sorrowful yet epic melodies, ARÐ have found the perfect musical expression to tell a tale of their homelands.
Mark Deeks, who earned his PhD in Philosophy on the topic of "National Identity in Northern and Eastern European Heavy Metal", is also a member of leading UK black metal stalwarts WINTERFYLLETH and keeps himself busy as a musical director, arranger, piano coach, and conductor as well as a best selling author. On "Take Up My Bones", Mark is supported by WOLCENSMEN mastermind Dan Capp on guitars and backing vocals. He is also joined by ATAVIST drummer Callum Cox, and a spellbinding performance from cellist Jo Quail (MY DYING BRIDE et al.) delivers the coup de grace.
With "Take Up My Bones", ARÐ offer deep and fascinating doom metal that musically stands out with its monastic soundscapes while also masterfully telling a story rooted in a magic place that has been called home by many cultures, which shaped a modern identity that builds on the rich heritage of centuries.
Release date: February 18, 2022
Line-up
Mark Deeks – vocals, all rhythm guitars, piano, keyboards, and bass
Guest musicians
Dan Capp (WOLCENSMEN) – lead guitar, acoustic guitars, backing vocals
Callum Cox (ATAVIST) – drums
Jo Quail – cello
ARÐ introductory video: https://youtu.be/Cq9Uwl6H7_M
Artwork by Gabriel Danilchik (Archangel Impressions)
ARÐ logo design by Dan Capp
Layout by Łukasz Jaszak
Produced, engineered, and mixed by Chris Fielding
Recorded at Foel Studios, November 2020
Mastered by Greg Chandler at Priory Recording Studios
Style: Doom metal
Pre-sale link
Available formats
"Take Up My Bones" is available as a hardcover 36-page 2CD artbook, gatefold 180g blood marble vinyl LP, gatefold 180g black vinyl LP, and on Digipak CD.
Links
Band pictures and graphic materials
ARÐ are supported by:
